'I care for not constantly focusing on the battlefield, but focusing on the tenderness,' says Belgian director Lukas Dhont.
“A friendship in childhood, for many of us, is this stage where love exists in its freest form and where it doesn’t need to have a name,” Dhont told Jezebel over Zoom last week. “[It’s] when connection still is so pure and essential to us, and beautiful, I suppose.”
But beauty, as they say, fades. At school, Léo and Rémi face scrutiny for their closeness. Some girls ask whether they’re a couple, and a boy calls Léo a “faggot.” Léo starts to pull away from his friend, signing up for hockey separately and skipping their formerly shared bike rides to school. What once existed in the splendor of ambiguity has been tainted by the confines of other people’s perceptions and definitions. For Dhont, that ambiguity was the point.
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