‘Paris Calligrammes’: Film Review

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‘Paris Calligrammes’: Film Review
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  • 📰 Variety
  • ⏱ Reading Time:
  • 40 sec. here
  • 2 min. at publisher
  • 📊 Quality Score:
  • News: 19%
  • Publisher: 63%

It would be a great mistake, sight unseen, to pigeonhole Ulrike Ottinger’s “Paris Calligrammes” as just another nostalgia-filled personal documentary about how amazing life was in Paris in the 1960…

” as just another nostalgia-filled personal documentary about how amazing life was in Paris in the 1960s. Where others self-servingly wax lyrical about being in the nexus of the Left Bank’s Golden Age of hipness and activism, Ottinger takes us through this formative time of her life in a way that deftly balances past and present to paint a picture of a threshold era of both positives and negatives.

“Calligram” signifies a text artistically arranged to form shapes that reflect the words’ meaning. Ottinger intends her title to resonate in multiple ways: first because Fritz Picard’s bookshop Librairie Calligrammes was her introduction to the city’s intellectual elite, but also because she wants her images and voiceover to act as a kind of reflexive mosaic that takes the viewer from the 1960s to the present and back again.

Who wouldn’t want to have been part of that world? But then Ottinger does the editorial equivalent of dragging a gramophone needle across a vinyl record by discussing the Oct. 17, 1961 massacre, when Parisian police killed a still undetermined number of demonstrators protesting the Algerian War, for which no one to this day has been prosecuted.

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