‘Passages’ Sundance Film Review: Ira Sachs’ Polyamorous Drama Excites & Frustrates

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‘Passages’ Sundance Film Review: Ira Sachs’ Polyamorous Drama Excites & Frustrates
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Ira Sachs’ latest film centers on a three-way relationship between two men and a woman as they navigate their way through love, lust and heartbreak. Passages begins on a film set. Tomas (Fran…

), but he is less than enthusiastic about the event, so he leaves the forlorn Tomas alone to dance with Agathe . The two head to another party, and without any indication that they even like each other, they have sex. Maybe it’s the first time he’s had sex with a woman, and he tells his husband about it as if he is supposed to be happy for him? Of course, this starts an argument between the two, which leads to Martin walking out. Sundance Film Festival U.S.

Sachs and Zacharias’ script makes some odd choices. The film is desperate to come off as a sexual drama, but it’s devoid of sensuality as the sex scenes are awkward and overstay their welcome, leaving nothing to imagination. Also, why are French people speaking English to one another? There is a scene where Agathe is at an evening dinner speaking English. Everyone has a French accent, but they aren’t using the local language, and it’s a scene neither Whishaw nor Rogowski is in.

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