Back in 2009, Yorgos Lanthimos led the so-called Greek Weird Wave with the Oscar-nominated Dogtooth, an unsettling exploration of a family of teenagers kept from the world by their father in a gate…
and certainly one of the most eagerly awaited films at the festival, is packaged very differently.
A sort of period film it is stuffed with extravagant costumes and sets that make Disneyland look restrained, all cut from the same spangled cloth as the royal romp The Favourite, Lanthimos’ last film. Strip away the decoration, however, and: essentially, what it is to be a human animal.
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