In many ways, the director shows how actions of racial prejudice are not always overtly obvious.
opens on a busy street in 1920s New York. A mysterious woman is roaming through Manhattan. In this part of town, she anxiously hides behind a wide-brimmed hat covering half her face. It’s every bit intentional. When she later settles down in the grand tea room at The Drayton Hotel, she stays camouflaged among a sea of lily-white couples. As she people-watches, her eyes lock on an almost unnoticeable old friend, Clare Kendry , who blends in perfectly with the crowd.
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