🎬 It’s all about the atmosphere in this drama from filmmaker Albert Serra. | ✍️ Joshua Minsoo Kim
, and looked to 18th century France in 2016’s. It’s a welcome surprise, then, that he moves to a contemporary setting for his latest feature filmFilmed simultaneously on three different digital cameras, the film immediately casts us into the lush waters and skies of the Polynesian island Tahiti. We encounter numerous Indigenous residents as well as an entitled French high commissioner named De Roller , who Serra uses as a source of dry humor.
While his pompous speeches are funny, they never turn into outrageous farce; as is expected for a Serra production,is slow-moving but riveting, eschewing any sort of climax or high drama to allow striking colors and hypnotic atmospheres to steer our attention for a nearly three-hour run time. As we watch De Roller go about his daily tasks, the soundtrack occasionally errs toward the foreboding, and there is a sense of paranoia and confusion that surmounts as the plot slowly develops.
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