Karen Gillan and Aaron Paul star in 'Dual,' director Riley Stearns' sci-fi fable about a woman who must fight her own clone to the death.
-style pitilessness in Stearns’ mix of the earnest, the casually brutal and the deadpan. But it’s awfully forced and never exactly funny, just arch — there’s nothing to grab onto. And while her résumé of fantastical roles makes her seemingly right for this kind of part, Gillan is directed into a pair of off-puttingly stiff performances, more skit-appropriate than feature-rich.
When Aaron Paul shows up as a weary combat expert, it’s a welcome personality boost, but his storyline further distances the movie from the identity-crisis absurdity that initially intrigued. Some of that is righted in how Stearns engineers his ending, but “Dual” still ends as a movie afraid of the fascinating depths of its own premise. Can we get a finer-tuned clone, perhaps?
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