Review: Jessie Buckley and Rory Kinnear star in Alex Garland’s hallucinatory meditation on toxic masculinity and the damsel in distress.
”), begins with a woman emerging from the aftermath of a personal tragedy. Harper has just lost her husband in a grisly fall. It’s an ambiguous “did he jump or was he metaphorically pushed” scenario that is alluded to in a dreamy, slow-motion memory early in the film .
Soon, Harper is running for her life, as every manifestation of the film’s title seems bent on tormenting her, physically or psychologically.
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