Though it keeps things lighthearted, saint_movie hits like an emotional ton of bricks SaintFrances
, understands that no judgment falls harder on a mom than the judgment of other moms, whether for breastfeeding in public or falling apart with postpartum depression in private. She understands a good deal more, too, because the movie has much on its mind in addition to the macro- and microaggressions that women perpetrate on other women.
That doesn’t happen. Much as Thompson and cinemtographer Nathaniel Hurtsellers’ aesthetic keeps the movie in a lighthearted ballpark,routinely circles around darkness: marital breakdown here, protracted post-abortion recovery there. The film’s refusal to adopt a lugubrious, aggressively grim outlook reflects both Bridget’s unfussed nature and a genuine respect for the experiences O’Sullivan and co. dramatize together.
Frankness helps, too. O’Sullivan and Thompson have an unadorned collaborative point of view, tongue in cheek but caring at the same time. They have a strong unified grasp of how awesome kids can be, how terrifying raising them is in theory and in practice, how much hard work goes into figuring yourself out when you’re all grown up with nowhere to go and how effortlessly one can stray from the path given the right temptation .
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