All we want is a little time to catch up. (From 2022)
Wonder was the grace of the country. Any action could be justified by that: the wonder it was rooted in. Period followed period, and finally the wonder wasBridges, skyscrapers, fortunes, all having a life first in the marketplace, still drew on the force of wonder. But then a moment’s quiet. What was it now that was built so big? Only the marketplace itself.
In the dawning years of streaming sovereignty, there was comfort in the magnitude, in the lack of restraint. The recklessness felt audacious. It was fun. A decade-plus later, with considerable distance and time in our rearview, that mindset no longer serves consumers or the bottom line for streaming companies.
All of this is not to suggest that such surplus is absent benefit. Within this flood of content is the opportunity to create a wonderland tailored to one’s exact interests, picking and choosing what best fits your viewing appetite. To, in a sense, design your very own timeline, a cozy multiverse even, detached from the tempo of those around you.
But that’s only half of it, really. Because there exists an even more fundamental beauty, in a future from today, when those timelines overlap, when we all come together, happily bickering over a show or film, free of the endless multiplicity, and of the escalating noise, finally—joyously—released from the glut of manufactured consumption.
Norge Siste Nytt, Norge Overskrifter
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