Two distinctive filmmakers go great together in True Romance, a very 1993 crime caper that just turned 30.
Quentin Tarantino is the rare movie director who may be better-known for his screenwriting than his visual signatures, even as the latter are scribbled all over his work. For a brief period in the 1990s, it even seemed like we might get a steady stream of projects written by Tarantino but directed by others, remnants from his pre-Natural Born KillersFrom Dusk Till Dawn
This would play pretty unbearable if not for the combination of distance and affection provided by Tony Scott. Though Clarence reads as an obvious Tarantino stand-in – employment at a cult-y business, passionate about film, an Elvis man, kind of a bullshitter – Scott’s overlay of dark-fairy-tale style, replete with a tinkling xylophone theme imitating “Gassenhauer” washes away the self-glorification.
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