The Beauty Secrets Behind ‘And Just Like That…’: How the Show’s Makeup Helps Define the New Chapter of ‘Sex and the City’

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The Beauty Secrets Behind ‘And Just Like That…’: How the Show’s Makeup Helps Define the New Chapter of ‘Sex and the City’
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'And Just Like That' makeup department head Sherri Berman Laurence teaches us how to embrace our natural beauty with tips and tricks she used on the show.

All products featured on Vogue are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission., when the original four characters stomped the streets in Manolo Blahniks, clinked together their cosmopolitans at [] “fabulous” parties, and recounted their sexual exploits over brunch at Cafeteria.

At the same time, there has been an encouraging sea change in Hollywood, one where we’re finally starting to see projects that celebrate and telegraph the real lives of older women, offering both a sense of realism and, in the case ofAnd Just Like That…’s. “I’m a 53-year-old woman, so I kind of grew up with these women,” says Laurence, “so for a show like this to be celebrating so many women in their 50s, and in a real, yet glamorous way, is really exciting to me.

To conceptualize the makeup vision, Laurence sat down with showrunner Michael Patrick King and costume designer Molly Rogers to ensure they were taking a 360-degree approach to their storytelling. “It’s great working with someone like [King], who really cares about the looks—the makeup, the hair, and the costumes,” says Laurence. “They all play off one another. You can’t have one not work or they all don’t work. Michael Patrick King is such a visionary and he knows exactly [what he wants].

In simplest terms, she describes the evolution of the original characters and their approaches to beauty as follows: Carrie, “fresh and easy”; Miranda, “a little more done with a new sense of self”; and Charlotte, “expensive and very polished.

“For most of them, we focused a lot on the skin,” explains Laurence of the universal emphasis on a glowing complexion on set. “With all of these women, we’re not trying to hide age, we’re just enhancing the beauty of who they are. Women at this age are beautiful. And I like the fact that we weren’t trying to make them look 30.”

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