The Chinese accessories brand inspired by sci-fi and Mongolian rituals.
, a creative community of women, trans, intersex and non-binary 3D artists. I’ve been a huge fan of this group. I love Harriet’s style — a powerful hybrid of surrealism and cult, with a touch of elegance. Each piece of their work is incredibly beautiful and never boring. Their unconventional, cliché-free approach to creating virtual characters matches with the strong personality and silhouette of the Hunting Collection.
This collection tells the story of a tribe from the future revisiting ancient rituals. Please tell us about the inspiration behind this collision of future and past. I was inspired by the ancient rituals of the Mongols. I’m Mongolian and before moving to Beijing, growing up we had traditional rituals and celebrations like bonfires, archery,and wrestling among shepherds and hunters. We believe that everything has a soul. On the other hand, I was curious about the future of human life. Therefore you will see this collection interprets the collision of ancient rituals and futuristic metals from a design perspective.
, and lookbook creative director YH, and we were in close contact for three months. I’m very grateful for their ambition and patience for this project. In terms of brand philosophy, I would say this collection is a trial of near-future aesthetics. I hope this collection will withstand the test of time.
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