The Dominican superstar talks to us about his new album, ‘Sabiduria,’ and where dembow is headed next.
, a testament to the global reach of the genre he’s stood behind all these years. “I love everything about this album,” he says proudly. “I went out on Saturday, and I was listening to music in my car. I spent three hours on just one song, on ‘Gogo Dance.’ The next day, I put on ‘Bendecido,’ and I was like, ‘This is the one I love.’ It changes every day. What I take away from that is the album is good.”.
At a global level, people have said, “Wow, this guy is the person in charge of all this, he’s the leader of a genre.” But I don’t see it that way because I’ve been doing this for 14 years. I don’t think that way. It’s rewarding that people notice my work and that I’m one of their first references, but I don’t assume that position myself. I think when I look at myself and say “I’m the leader of a genre,” I’m going to want to think I’ve made it, and I’m going to sit down and take a break.
It’s a very jocular style of music. I try to celebrate that on songs like “4K,” which is a global hit, or “Fulanito,” a song with Becky [G]. A lot of them are driven from storytelling, and it’s something I love, like on “La Mamá de la Mamá.” In the Dominican Republic, we’re experts at the double entendre. When you listen to it, people who don’t know a lot about how Dominican express themselves listen and then they keep discovering things more and more, more meanings in the song.
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