Actors and filmmakers alike should avoid repeating this mob movie's misfires by all means necessary, including its final 10 minutes.
While there is rarely any enjoyment to be found in watching an awful film, there is something uniquely maddening about the experience of sitting through Entourage actor Kevin Connolly’s 2018 biopic Gotti. The film’s script is such a jumbled and incoherent mess that it’s tempting to think the screenwriters tossed their scene cards into the air and assembled them at random. The movie is riddled with gangster clichés that make it feel like a parody.
'Gotti' Includes Some Very Confusing Narration The film opens with John Gotti breaking the fourth wall and speaking directly to the camera/audience. At first, it seems as if Gotti’s subsequent narration throughout the film comes from this scene. In other words, we’re hearing a sort of inner monologue as Gotti speaks to his audience. But the narration may also sometimes come from a prison scene in which an elderly Gotti is speaking to his son.
'Gotti' Features Uninteresting Supporting Characters Gotti often introduces its audience to characters via quick chyrons. Most of the time, it’s not worth trying to remember these characters as we either rarely see them again, or they just fade into the background with no real influence on the story. In fact, other than Gotti, Neil Dellaroce , and Angelo Ruggiero , most of the characters in this film are difficult to distinguish from one another.
Nonetheless, one theme does emerge from the madness: Family. But what is the film trying to say about family? Gotti is concerned about his family. Some bad things happen to them, most of which are the direct result of his criminal lifestyle. But unlike The Sopranos, there’s nothing interesting going on here in terms of how Gotti thinks, or what he thinks, or how he interacts with his family.
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