“My journey is very serendipitous,” says costume designer Marci Rodgers. “I came out of the fitting room, thinking out loud and I said, ‘You know, I’m gonna design a m…
“My journey is very serendipitous,” says costume designer Marci Rodgers. “I came out of the fitting room, thinking out loud and I said, ‘You know, I’m gonna design a movie on Emmett Till…’ and six years later Chinonye approached me and asked me to look at the script.”
“This project was very spiritual for me,” says Rodgers. “I knew that I had to set aside my emotions and feelings as a Black woman, and I had to make sure this was not about me. This was about Mamie first, and Emmett, and the story that we were intending to tell.” Another important thing to remember, Rodgers says, was “just making sure that I was sensitive to the matter of how Mamie would be projected throughout and how we use color to tell the story.” Yellow was a color reserved for scenes with Emmett Till, not just in the costume design but also in the production design, lighting, and other craft areas. “Even when we get to the end of the movie,” she says, “you see Emmett with yellow in his costume, and he’s covered in a yellow light.
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