Peacock’s adaptation of the car-combat video-game series says “yes” to guns, wisecracks, and shit that looks dope, and “no” to thinking too hard.
bravely combines car explosions and “MMMBop.”) But that plug-and-play aesthetic priority is all of whatoffers. It looks and sounds and feels like other things people like. Does it need to have more than that? By the end of the season’s ten episodes, Sweet Tooth’s head gets set on fire and he’s improbably able to carry on with a shocking amount of vehicular mayhem while flames continue to leap from his skull, so maybe not. But that doesn’t make it good television.would be excruciating.
For the most part, though, those exchanges between John and Quiet are just extra bits of leavening between already airy car-crash sequences. The emotional arc of their relationship is the sole piece of meaningful narrative development over the season, but it’s not enough to makeinto anything more fun or substantive than smashing a Hot Wheels with a hammer.
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