With her new film One Fine Morning, Mia Hansen-Love's jagged understanding of commitment continues to be emphasized by her intensive study of time's passage. annarosemary explains:
, Mia Hansen-Løve’s latest feature, new and old love are paired together in a stunning, strange pattern that throws into question the inflexibility of loyalty and love. Sandra is left caring for her ailing father who, despite his academic ability and intellectual prowess, is incapable of living alone in his old age. At the same time, she falls for an old flame, now married and with his own family. It is a stirring, romantic drama, prickly and deceptively hard to watch.
If windows give her characters a framework to view their options, literal space to momentarily escape the suffocating confines of time, the brick wall that Annette grabs when confronted with Victor’s plea for forgiveness inserves to represent the inflexibility of time. She pauses, swallowing back tears, positioning her body to face the worn red bricks of the rehab center. “I can’t,” she admits. Their relationship is not illuminated by the white light held by tall windows.
“The little children grow only to old men. / The grass dries, / the force goes. / But is met by another…”
Norge Siste Nytt, Norge Overskrifter
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