The star of Netflix's dark comedy steps into the showrunner role in Season 2 — and rethinks how place, time and family history can help tell a person's story.
“One of the stories about the show is how much it’sIt has been my life experience that there’s a lot of stuff that we don’t talk about or that we’re ashamed of, family histories, stuff like that, and it’s actually not as rare as we like to pretend.
“I want the kids to have it,” Lyonne declares, in her sandpaper voice, about finally releasing the new episodes after a three-year gap. It also felt like, “Nadia and Alan and Maxine and Ruth and Lizzie and Horse — these are our people. I don’t know that we want to just throw them away.” I think that would have felt pretty lame. I just started thinking about this idea of root cause or inciting events.
It makes me laugh — the idea that you would just kidnap your inner child to fix you. I always called it a kidnapping. I just liked the idea that she was in this overcoat with leather and f— sunglasses and smoking at night being like, “I got baby me, I fixed it. I fixed it.” Because, like, what’s the plan from there? But on a deeper level I guess I’m asking a question about regret and why we spend so much time doing it. And boy, what a bummer. I hate that.
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