Zach Woods & Lenora Crichlow reveal the craziest parts of Avenue5 Season 2, how much they knew about what was happening, and more.
From show creator Armando Iannucci , the second season of the eight-episode HBO comedy series Avenue 5, that’s set 40 years in the future in a world where space travel is a booming business, finds Captain Ryan Clark avoiding telling the passengers of the luxury spacecraft that they’re about eight years from their return home.
ZACH WOODS: There’s a common misconception, which is that we took the three years off because of Covid. Actually, I reached out to Armando and said, “I wanna gain 15 to 20 pounds between Season 1 and Season 2. Is there a way we could hold production for me to accomplish that body transformation?” And he said, “Say no more. It’s critical to the show. We’ll give you as much time as it takes.” That’s why we held off. But I think the rewards are in the image of a slightly heavier me.
CRICHLOW: That’s how I got back into it. I just looked at Zach’s dedication and body transformation, and I felt so inspired. I was like, “I know where I am.” We all ran off that energy. CRICHLOW: If you know the rules of your character, you can break them. But if you don’t know the rules, you’re not sure. Everything you read in the scripts has to go through the filter of your character, and if that is undefined, it’s really hard to grasp. I did this show called Being Human, where I wore the same clothes for years and years, and there was something about that, that was really helpful for me. Having the same costume is quite grounding because it’s so specific.
WOODS: Sometimes when a scene gets particularly crazy in between takes, you’ll see Armando dance in a way that’s part Charlie Chaplin in The Little Tramp, and part devil. He’s almost a little kid who has successfully lit a shed on fire and is now watching it delightedly burn. He’s a little bit of an emotional pyro. When the smoke starts filling the room, he’s happy, and it’s fun to see it. He has a wicked appetite.
CRICHLOW: That was pretty surreal. We were also all rammed into a tiny hallway, to protect our characters from the sun, but we were doing that during Covid. That was surreal. There were eels. In every episode, there’s something where you’re like, “Huh? That happened.”
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