How the Australian pop artist went from Charli XCX’s touring band to a vibrant career of her own
EP that year, Banoffee relocated to Los Angeles to begin recording her debut album,, which has just been released after several years in development. Dissatisfied with the isolated nature of her previous work as a solo act, Banoffee hoped that proximity to the heart of the American music industry would help bring in new voices for her first full-length record. In her first year in L.A.
Elsewhere on the album, like on the devastating “Permission,” Banoffee entwines her own voice with Auto-Tune as she addresses a man who assaulted her when she was young. Rothman turned out to be a true partner-in-crime: “Really, all he ever wanted was for us to learn off each other. We both sat there on a computer each, and we produced songs at the same time. We’d take our time and then be like ‘What’d you come up with?’ and put them together.” She adds, stumbling quickly over the words, “I didn’t have a lot of money, you know? I couldn’t pay him the rate that he deserved, or do what most record labels would do for a producer and make it really worth their time.
“I made a list when I made that song — dream features I would want on it — and Cupcakke was number one,” she says. “I just sent her a fucking email and she replied and was like, ‘Yeah, cool, I’m down.’ I’m like, ‘Wait, how does that work?’”
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