These days, the horror-fantasy thriller tends to be a junk metaphysical spook show that throws a whole lot of scary clutter at the audience — ghosts, “demons,” mad killers — without nec…
These days, the horror-fantasy thriller tends to be a junk metaphysical spook show that throws a whole lot of scary clutter at the audience — ghosts, “demons,” mad killers — without necessarily adding up to an experience that’s,” Leigh Whannell’s ingenious and entertaining update of a concept that’s been around for 120 years , the thrills don’t just goose you; they have an emotional import.
The early scenes fill in the endgame of Cecilia’s relationship with Adrian, a sick-puppy genius of optics technology who plays like a more malevolent knockoff of Oscar Isaac’s control-freak tech guru from “Ex Machina.” Adrian lives in a remote glassy mansion perched high in the hills over San Francisco , and he has essentially made Cecilia his prisoner, promising to kill her if she leaves.
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