SeasonALettertotheFuture's narrative director, Kevin Sullivan, breaks down the real-world stress that shaped the game.
For all the freedom and beauty it provides, traveling can be an uncomfortable experience. Whenever I’m on my own in another country, I become hyper-aware of the fact that I’m an outsider. My ability to clearly communicate or process information is diluted, leaving me to absorb my surroundings and learn on the fly. It’s an anxiety-inducing feeling, though one that always rewards me when I allow myself to accept that I’m not an expert and be comfortable with listening.
“The experiences that we ended up drawing from were traveling,” Sullivan tells Digital Trends. “That became the first pillar, that is going to be some kind of a trip. So we drew on experiences we had traveling. The themes came from that — what it was about was ambient energy that we were feeding off of in our lives.
There’s not so much authority in the world, and the game does not try to act like an authority either. The Era of Good Feelings Though Season is more focused on individual journey than delivering a grander worldview, the team’s own perception of the real world would shape its digital one. Sullivan initially found inspiration in the Era of Good Feelings, a complex period of American history that spawned after the War of 1812.
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