Released nearly 50 years after being shelved, Neil Young's should’ve-been eighth album is a piercing, emotional and scattered portrait of a genius grappling with a transitional period in his career. Read our full review of 'Chrome Dreams' here:
closing number and, later, the first track on side two of, “Star of Bethlehem” is one of Young’s tenderest ballads ever. Featuring Ben Keith’s visceral dobro instrumentation and Karl T. Himmel’s country-inspired brush drumming, the focus gets tilted onto Young and Emmylou Harris—who harmonize so deftly and sweetly together in-between pulls of the former’s dry harmonica, lamenting the trials of getting older and watching your memories of happiness no longer shield you from a lingering downfall.
, which is a huge feat, considering that all 12 chapters are perfect and generational. “Stringman” is a particularly haunting, three-minute piano ballad from Young that greatly rivals “After the Gold Rush.
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